Anyone looking for a creative agency with AI usually gets offered two extremes: the studio that denies AI, and the vendor that generates everything. We work in between, and we tell you exactly where the machine sits. The idea, the point of view and the decision stay human. The replication does not.
The Branding Blueprint covers brand analysis, positioning, copywriting and tone of voice across three sessions, plus moodboards and industry benchmarks. €2,500 one-off over roughly four weeks. Design work starts only after that.
A real production day with set design, yielding 15 to 25 photos and 5 to 7 short clips, plus an image film and a hero video. For ZeBu it was five vertical reels shot inside the flat itself: no drone, no music bed, no studio.
For ZeBu we furnished five finished rooms digitally. Windows, radiators, floor and sockets stay exactly where they were built, only the furniture is added. For the IPEC Group, photorealistic scenes are generated with AI only where a shoot is not possible.
Decks, graphics and icons are produced from a chat prompt inside your live CI, with an interface for your own team. It does not replace a designer, it replaces reformatting the same slide for the fifteenth time.
Positioning, tone of voice and imagery first. Skip this step and the design gets made twice, and the second round is always the expensive one.
One production day with set design, stills and moving image. Whatever a camera does better than a model, the camera does.
From that material we build the formats for each individual channel, inside the stored CI. This is where AI works, and where it saves real hours.
For the IPEC Group we shot inside the properties themselves and built 360-degree tours that let prospects walk a hall before the first appointment happens. For Milka, Kristina from our team illustrated a hand-drawn design kit commissioned by the Viennese studio Vienna Paint, which became large-format prints, contour cuts and a walk-in chocolate house. No AI was involved anywhere in that, and that was the right call.
Yes, but never as a substitute for a shoot that was possible. For the IPEC Group, generated scenes only exist where a shoot is not possible, kept consistent with the real imagery and deliberately used as a complement. For the Milka chocolate house, no AI was involved at all, because it would not have made anything better there.
Through a corporate design manual covering colours, typography, imagery and logo usage, from €1,200 one-off. If you produce a lot, the CI also gets stored in a brand automation system, so decks and graphics stay on brand even when your own team creates them.
Both, and we tell you which part is which. The creative part is film, photography and design. The marketing part is the system behind it: content pipelines, visibility in AI answer engines, automation. We sell nothing from either side that we do not run in our own operations.
Yes to both. This website runs in German and English, and our creative lead has produced across eight years in Vienna, Berlin, Lille, Tel Aviv, Limassol and Baku. Projects run bilingually from the start, instead of someone translating at the end.
Show us what you have. In 30 minutes we tell you whether the problem sits in the brand or in the production. Free and without sales pressure.
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